TabForge

Backing tracks

A band to play along with: you hear the chords and play over them.

Back to the start page

Pick a track and play along.

12 bars · 4/4

  1. Am7
  2. Am7
  3. Am7
  4. Am7
  5. Dm7
  6. Dm7
  7. Am7
  8. Am7
  9. Em7
  10. Dm7
  11. Am7
  12. Em7
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Am7 shapes: where you can play the chordRoot of the chord Am7: A

Am7 also has G – the shape shows the basic form without it.

Fits well:
Scale that fits

What you hear: A calm minor blues with a shuffle bounce. Every note of the minor pentatonic fits – a good place to start.

Default: 76 BPM

KeyA minor

Who’s playing?

Sound

Sound

Recordings of real instruments, played as if by hand – with small variations in timing and volume.

Build your own track

Take the rhythm of a track and put in your own chords – bar by bar.

Build a new track

Enter as
Major or minor
Bars

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Your own tracks are saved in this browser.

Understand: what happens in a track

What happens over the chords?

Try it

Start the track and tap these notes of the A Minor pentatonic. Listen for when a note sounds calm and when it rubs.

What do you notice?

Which notes sound calm over the current chord – and does that change when the chord changes?

What it's called

Chord tone – a note that is part of the chord sounding right now. It sounds calm because it belongs to the sound.

Why

On the fretboard above, those are the blue dots. Every other note of the scale fits too, but adds some tension – it resolves when you move to a chord tone afterwards.

When the chord changes, so do its chord tones: what sounded calm over one chord can rub over the next.

Quick check

The chord C (C, E, G) is playing. Which note sounds calmest over it?

The same round again and again

Try it

Start the track and count the bars. The outlined bar moves along.

12 bars · 4/4

  1. Am7
  2. Am7
  3. Am7
  4. Am7
  5. Dm7
  6. Dm7
  7. Am7
  8. Am7
  9. Em7
  10. Dm7
  11. Am7
  12. Em7

What do you notice?

After how many bars does everything start over?

What it's called

Chord progression – the series of chords a piece runs through again and again – bar by bar, in a circle.

Why

A blues has twelve bars, a pop song often just four. Once you know the round, you know what comes next and hear the change coming.

The row above always shows where you are: the bar outlined, the chord filled.

Different key, same progression

Try it

A minor

12 bars · 4/4

  1. Am7
  2. Am7
  3. Am7
  4. Am7
  5. Dm7
  6. Dm7
  7. Am7
  8. Am7
  9. Em7
  10. Dm7
  11. Am7
  12. Em7

D minor

12 bars · 4/4

  1. Dm7
  2. Dm7
  3. Dm7
  4. Dm7
  5. Gm7
  6. Gm7
  7. Dm7
  8. Dm7
  9. Am7
  10. Gm7
  11. Dm7
  12. Am7

What do you notice?

Here is the same round in two keys. All the names are different – what stays the same?

What it's called

Degree – the number of a chord in its key, as a Roman numeral: I is home, IV and V are its closest neighbours. Upper case means major, lower case minor.

Why

A minor

12 bars · 4/4

  1. Am7i7
  2. Am7i7
  3. Am7i7
  4. Am7i7
  5. Dm7iv7
  6. Dm7iv7
  7. Am7i7
  8. Am7i7
  9. Em7v7
  10. Dm7iv7
  11. Am7i7
  12. Em7v7

Written in degrees, the progression is the same – in A minor as in D minor. Only the root you count from is different.

That’s why you can take a progression into any key: choose another key above, and the numbers stay put while the shapes move.

Quick check

In G major: which chord is the IV?

Who plays what?

Try it

Start the track and switch them off one after another – and back on.

What do you notice?

Who keeps time, who shows the chords, who puts the depth underneath?

What it's called

Part – one voice of a backing track – here chords, bass and drums. All parts together are the backing track: an accompaniment to play along with.

Why

The drums keep time, the bass puts the root underneath, the chords show the harmony.

To practise your own timing, switch the drums off. To play the chords yourself, switch the chords off – then you are the band’s guitarist.

The essentials in three sentences

  1. Over every chord, its own notes – the chord tones – sound calmest; the other notes of the scale add tension.
  2. A chord progression is a round that repeats; written in degrees (I, IV, V) it fits any key.
  3. A backing track is made of parts – switch them off one by one to practise something specific.

Where to go next